I'm Cassandra Roberts — a Film Editor, Producer and Story Consultant based in London, working wherever the work takes me. Lately that's been New Zealand, Fiji and Kenya. Before London, it was Sydney and New York.

I work across film and TV — documentary, factual entertainment, reality, news, current affairs, comedy, lifestyle, children's TV, music videos. If it tells a story, I'm interested. My work has screened on the BBC, Netflix, Apple TV+, Disney+, Hulu, National Geographic, PBS, Discovery, Channel 5, MTV, Nickelodeon and Vice, as well as the ABC, SBS, Seven, Nine and Ten in Australia. I've also cut branded content for Red Bull, Harley-Davidson, Durex, Cadbury's and others.

On the feature documentary side, I story consulted on The Pick Up Game (Hot Docs and DOCNYC 2019, won Best Director at Melbourne Documentary Film Festival), edited and co-wrote March for Dignity (30+ festivals, European cinema run), India's 1st, Best, Trans Modelling Agency (BFI Flare 2024) and Rhino (nominated Best Editing at the 2025 Wildscreen Panda Awards, UK theatrical run).

Every project teaches me something new — that's genuinely why I keep doing this. A curious mind needs feeding, and film does that better than anything. Across twenty-odd years and every genre going, I've developed a confident sense of narrative, emotion and rhythm. I can help you shape a story that lands — something that moves people and keeps them watching, whatever the subject.

I'm a member of the British Film Editors (BFE) and BAFTA, and the founder of StitchNBitch Editors — a growing collective of women and gender-diverse film and TV editors who host meetups, panels and events at industry festivals throughout the year.

When I'm not in an edit suite or buried in a script, I'm cycling round the neighbourhood, eating dumplings, or disappearing somewhere new. If you want to work together, talk story, or just say hello — drop me a message.